Published as part of the British Library's historical collection; originally published in Once a Week, 1865. 
This is a thriller detective novel in the form of letters, statements, a  crime scene map, and journal extracts. They've been compiled by an  insurance investigator to examine claims made by Baron R** following the  mysterious death of his wife, Madame R**—a death closely linked to two  others. 
Madame R** drank poison while sleepwalking—but Baron R** is a  well-known mesmerist. So did she die of her own will or of his? The  narrator refuses to decide, so has laid out all the evidence for his  readers to make a final judgment. 
When, by page 29, I had already encountered mesmerism, sleepwalking, and  a child stolen by gypsies, I figured I was in for a thumping good read  in the manner of Wilkie Collins's thrillers. The Notting Hill Mystery actually predates 1868's The Moonstone,  also an epistolary novel, and both books have been called "the first  detective novel" in English. However, while I enjoyed the novel, it's  clear why Collins is remembered and Felix is not. 
With Collins, you have believable, varied characters with psychological  complexity and a mystery that unravels as the novel goes on. Felix's  characters are thin, just coat hangers for the few attributes to keep  the story moving, like "jealous of family pride" or "weak constitution."  Also, and worse, the heart of the mystery is laid out so early there's  no real suspense. Every fresh document just adds weight to what we  already have been told must be the solution--if you can accept the  reality of mesmeric control. Otherwise you must accept some amazing  coincidences. Either way, it's unsatisfying. 
"Charles Felix" is a pseudonym, some think for Charles Warren Adams. He  was a lawyer whose firm published another book by "Charles Felix" called Velvet Lawn.
Wednesday, August 17, 2011
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